Scientific Program

Scientific program

ICMC|SMC|2014

Scientific Program

Time	Room	Monday, 15 September 2014
09:00- 10:40	Odeon 2	OS1: Music Information Retrieval Chair: Xavier Serra, Pompeu Fabra University, Spain
		Computational ethnomusicology: a music information retrieval perspective, Invited Speech George Tzanetakis, University of Victoria, Canada
		Power-scaled spectral flux and peak-valley group-delay methods for robust musical onset detection Li Su, Yi-Hsuan Yang
		Towards Soundscape Information Retrieval (SIR) Tae Hong Park, Jun Hee Lee, Jaeseong You
		A history of emerging paradigms in EEG for music Kameron Christopher, Ajay Kapur, Dale Carnegie, Gina Grimshaw
		Landmark detection in hindustani music melodies Sankalp Gulati, Joan Serrà, Kaustuv Ganguli, Xavier Serra

Time	Room	Monday, 15 September 2014
09:00- 10:40	Odeon 3	OS2: Aesthetics of Computer and Interactive Music-1 Chair: Tae Hong Park, New York University, USA
		The place and meaning of computing in a sound relationship of man, machines, and environment, Invited Speech Agostino Di Scipio, Conservatory of Naples, Italy
		How blue is Mozart? Non verbal sensory scales for describing music qualities Maddalena Murari, Antonio Roda', Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri
		Building a Gamelan from bricks Tzu-En Ngiao
		Modelling the live-electronics in electroacoustic music using particle systems André Perrotta, Flo Menezes, Luis Gustavo Martins
		POLISphone: Creating and performing with a flexible soundmaps Filipe Lopes, Paulo Rodrigues

Time	Room	Monday, 15 September 2014
09:00- 10:40	Odeon 4	OS3: Algorithmic Composition-1 Chair: Maximos Kaliakatsos-Papakostas, Aristotle University of Thessaloniki, Greece
		Probabilistic harmonization with fixed intermediate chord constraints Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos
		Efficient sampling from statistical models of music Dorien Herremans, Kenneth Sörensen, Darrell Conklin
		Swarm lake: a game of swarm intelligence, human interaction and collaborative music composition Maximos Kaliakatsos-Papakostas, Andreas Floros, Konstantinos Drossos, Konstantinos Koukoudis, Manolis Kyzalas, Achilleas Kalantzis
		N-gon waves – audio applications of the geometry of regular polygons in the time domain Dominik Chapman, Mick Grierson
		Directed transitional composition for gaming and adaptive music using Q-learning Jason Cullimore, Howard Hamilton, David Gerhard

Time	Room	Monday, 15 September 2014
11:10-12:10	Onasis 2	Keynote Speech 1 Chair: Anastasia Georgaki, University of Athens, Greece
11:10-12:10	Onasis 2	Sound and music computing meets philosophy Jean-Claude Risset, Universitéd'Aix-Marseille, Laboratoire de Mécanique et d'Acoustique CNRS, France

Time	Room	Monday, 15 September 2014
12:10-12:45	Odeon 1	PS1: Poster Session craze Chair: Emilia Gomez, Universitat Pompeu Fabra, Spain
12:45-14:30	Odeon 0	PS1: Poster Session Chair: Emilia Gomez, Universitat Pompeu Fabra, Spain
		Unisoner: an interactive interface for derivative chorus creation from various singing voices on the Web Keita Tsuzuki, Tomoyasu Nakano, MasatakaGoto, Takeshi Yamada, Shoji Makino
		Music technology’s influence on flute pedagogy: a survey of their interaction Diana Siwiak, Ajay Kapur, Dale Carnegie
		Infrared vs. ultrasonic finger detection on a virtual piano keyboard Yuri De Pra, Federico Fontana, Fausto Spoto
		Real-time breeding composition system by means of genetic programming and breeding procedure Daichi Ando
		Visualization and manipulation of stereophonic audio signals by means of IID and IPD Giorgio Presti, Davide Andrea Mauro, Goffredo Haus
		Audio signal visualisation and measurement Robin Gareus, Chris Goddard
		NLN-live, an application for live non-linear and interactive music performances Than van Nispen Tot Pannerden
		Improving accompanied flamenco singing voice transcription by combining vocal detection and predominant melody extraction Nadine Kroher, Emilia Gómez
		The feature extraction based hypersampler in Il grifonelleperlenere: a bridge between player and instrument paradigm Marco Marinoni
		A multi-agent Interactive composing system for creating “expressive” accompaniment Michael Spicer
		The use of apprenticeship learning via inverse reinforcement learning for musical composition Orry Messer, Pravesh Ranchod
		The SpatDIF library – concepts and practical applications in audio software Jan Schacher, Chikashi Miyama, Trond Lossius
		From technological investigation and software emulation to music analysis: an integrated approach to Barry Truax'sriverrun Michael Clarke, FrédéricDufeu, Peter Manning
		SoundScapeTK: a platform for mobile soundscapes Thomas Stoll, Teri Rueb
		Kara: a BCI approach to composition Rodrigo Cadiz, Patricio de la Cuadra
		About the different types of listeners for rating the overall listening experience Michael Schoeffler, Juergen Herre
12:45-14:30	Odeon 0	A design exploration on the effectiveness of vocal imitations Stefano DelleMonache, Stefano Baldan, Davide Andrea Mauro, Davide Rocchesso
		A hybrid guitar physical model controller: the Bladeaxe Romain Michon, Julius Orion III Smith
		Ethos in sound design for brand advertisement Elio Toppano, Alessandro Toppano
		NEYMA interactive soundscape composition based on a low budget motion capture system Stefano Alessandretti, Giovanni Sparano
		Evaluating HRTF similarity through subjective assessments: factors that can affect judgment Areti Andreopoulou, Agnieszka Roginska
		GenoMeMeMusic: a memetic-based framework for discovering the musical genome Valerio Velardo, Mauro Vallati
		Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification Ian Whalley
		Multi-touch Interface for acousmatic music spatialization Gwendal Le Vaillant, Rudi Giot
		A high-level review of mappings in musical iOS applications Thor Kell, Marcelo Wanderley
		Fractal aspects of musical time series Heather Jennings, César Nascimento, Gandhimohan Viswanathan
		Learning musical contour on a tabletop Andrea Franceschini, Robin Laney, Chris Dobbyn
		Short-term and long-term evaluations of melody editing method based on melodic outline Tetsuro Kitahara, Yuichi Tsuchiya
		Sound of rivers: stone drum: a multimedia collaboration with sonified data computer-processed narration and electric violin Charles Nichols, Mark Lorang, Mark Gibbons, Nicole Bradley Browning, Amber Bushnell
		Diffusing Diffusion: A history of the technological advances in spatial performance Bridget Johnson, Michael Norris, Ajay Kapur
		Τactile.motion: an iPad based performance interface for increased expressivity in diffusion performance Bridget Johnson, Michael Norris, Ajay Kapur
		Association of Sound movements in space to Takete and Maluma Amalia de Götzen

Time	Room	Monday, 15 September 2014
14:30- 16:30	Odeon 2	OS4: Analysis / Synthesis-1 Chair: Μarcelo Queiroz, University of São Paulo, Brazil
		Real-time composition of sound environments, Invited Speech Georgia Spiropoulos, IRCAM, France
		The sound effect of ancient Greek theatrical masks Fotios Kontomichos, Thanos Vovolis, Eleftheria Georganti, John Mourjopoulos
		Understanding and tuning mass-interaction networks through their modal representation Jerome Villeneuve, Claude Cadoz
		Declarative composition and reactive control in marsyas Jakob Leben, George Tzanetakis
		A flexible and modular crosslingual voice conversion system Anderson Machado, Marcelo Queiroz
		Intelligent exploration of sound spaces using decision trees and evolutionary approach Gordan Kreković, Davor Petrinović

Time	Room	Monday, 15 September 2014
14:30- 16:30	Odeon 3	OS5: Languages for Computer Music Chair: Andreas Floros, Ionian University, Greece
		LC: a new computer music programming language with three core features Hiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu
		Mostly-strongly-timed programming in LC Hiroki Nishino, Ryohei Nakatsu
		Real time tempo canons with Antescofo Christopher Trapani, José Echeveste
		Sound processes: a new computer music framework Hanns Holger Rutz
		o.io: A unified communications framework for music, intermedia and cloud interaction Adrian Freed, Rama Gottfried, John MacCallum, Jeff Lubow, Derek Razo, David Wessel
		Towards defining the potential of electroacoustic infrasonic music Alexis Crawshaw

Time	Room	Monday, 15 September 2014
14:30- 16:10	Odeon 4	SS1: Special Session “Technologies and Sound: Questions and Philosophical Views” Chair: Agostino Discipio, Music Conservatory of L'Aquila, Italy
		Ambient culture: Coping musically with the environmnet Marcus Maeder
		A paradigm shift for modelling sound sensation John Mourjopoulos
		From digital ‘Echos’ to virtual ‘ethos’: ethical aspects of music technology George Kosteletos, Anastasia Georgaki
		Ecologically grounded multimodal design: the Palafito 1.0 study Damián Keller, Joseph Timoney, Leandro Constalonga, AriadnaCapasso, Patricia Tinajero, Victor Lazzarini, Marcelo SoaresPimenta, Maria Helena de Lima, Marcelo Johann
		Ex-Ethous (Εξ Έθους): Changing Habits Marcos Novak

Time	Room	Tuesday, 16 September 2014
09:00- 10:40	Odeon 2	OS6: Computational musicology Chair: Emilios Cambouropoulos, Aristotle University of Thessaloniki, Greece
		Echoes in Plato’s cave: ontology of sound objects in computer music and analysis, Invited Speech Alan Marsden, Lancaster University, United Kingdom
		An idiom-independent representation of chords for computational music analysis and generation Emilios Cambouropoulos, Maximos Kaliakatsos-Papakostas, Costas Tsougras
		Corpora for music information research in Indian art music Ajay Srinivasamurthy, Gopala Krishna Koduri, Sankalp Gulati, Vignesh Ishwar, Xavier Serra
		Analysis of the simultaneity, voice/layer balance and rhythmic phrasing in works for guitar by Rodrigo, Brouwer and Villa-Lobos Sérgio Freire, Lucas Nézio, Anderson Reis
		Algebraic Mozart by tree synthesis Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka

Time	Room	Tuesday, 16 September 2014
09:00- 10:40	Odeon 3	OS7: Artificial Intelligence and Music Chair: Roberto Bresin, Royal Institute of Technology, Sweden
		An automatic singing impression estimation method using factor analysis and multiple regression Ai Kanato, Tomoyasu Nakano, MasatakaGoto, Hideaki Kikuchi
		Real-time manipulation of syncopation in audio loops Diogo Cocharro, George Sioros, Marcelo Caetano, Matthew Davies
		The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound Raed Belhassen
		Evaluating perceptual separation in a pilot system for affective composition Duncan Williams, Alexis Kirke, Eduardo Miranda, Ian Daly, Etienne Roesch, James Weaver, SlawomirNasuto
		Spatialization symbolic music notation at ICST Emile Ellberger, Germán Toro Perez, Johannes Schuett, Giorgio Zoia, Linda Cavaliero

Time	Room	Tuesday, 16 September 2014
09:00- 10:40	Odeon 4	OS8: New Interfaces for Musical Expression-1 Chair: Leontios Hadjileontiadis, Aristotle University of Thessaloniki, Greece
		Creating a place as a medium for musical communication using multiple electroencephalography Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Hiroko Terasawa, Reiko Hoshi-Shiba, Kazuo Okanoya, Kiyoshi Furukawa
		The breath engine: challenging biological and technological boundaries through the use of NK complex adaptive systems Joe Cantrell, Colin Zyskowski, Drew Ceccato
		Animating timbre - A user study Sean Soraghan
		Conceptual blending in biomusic composition space: the “brainswarm” paradigm Leontios Hadjileontiadis
		Instantaneous detection and classification of impact sounds: turning simple objects into powerful musical control interfaces Nikolaos Stefanakis, Yannis Mastorakis, Athanasios Mouchtaris

Time	Room	Tuesday, 16 September 2014
11:10-12:10	Onasis 2	Keynote Speech 2 Chair: Kostas Moschos, Institute for Research on Music & Acoustics , Greece
11:10-12:10	Onasis 2	Mathews’ Diagram and Euclid’s Line -fifty years ago- John Chowning, Computer Research in Music and Acoustics (CCRMA), Stanford University, USA

Time	Room	Tuesday, 16 September 2014
12:10-12:45	Odeon 1	PS2: Poster Session craze Chair: Giovanni De Poli, University of Padova, Italy
12:45-14:30	Odeon 0	PS2: Poster Session Chair: Giovanni De Poli, University of Padova, Italy
		Distance in pitch sensitive time-span tree Masaki Matsubara, Keiji Hirata, Satoshi Tojo
		Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity Daichi Misawa, Kiyomitsu Odai
		Griddy: a drawing based music composition system with multi-layered structure Keunhyoung Luke Kim
		Touchpoint: dynamically re-routable effects processing as a multi-touch tablet instrument Nicholas Suda, Owen Vallis
		FugueGenerator - collaborative melody composition based on a generative approach for conveying emotion in music NiklasKlügel, Gerhard Hagerer, Georg Groh
		Tempo prediction model for accompaniment system Shizuka Wada, YasuoHoriuchi, Shingo Kuroiwa
		ICE - towards a new kind of networked computer music ensemble Winfried Ritsch
		Loudness Normalization: the democratisation of sound quality judgments Malachy Ronan, Robert Sazdov, Nicholas Ward
		Eroticism and time in computer music: Juliana Hodkinson and Niels Ronsholdt’s fish & fowl Danielle Sofer
		PheroMusic: navigating a flexible space of active music Kristian Nymoen, Arjun Chandra, KyrreGlette, Jim Torresen, Alexander RefsumJensenius, ArveVoldsund
		Algorithmic cross-mixing and rhythmic derangement Zlatko Baracskai
		Expanding the vocalist’s role through the use of live electronics in realtime improvisation Tone Åse
		TC-data: extending multi-touch interfaces for generalized relational control Kevin Schlei
		Automatic competency assessment of rhythm performances of ninth-grade and tenth-grade pupils Jakob Abesser, Johannes Hasselhorn, Sascha Grollmisch, Christian Dittmar, Andreas Lehmann
		CriticalEd: a tool for assisting with the creation of critical commentaries Caspar Mølholt Kjellberg, David Meredith
		Polytempo network: a system for technology-assisted conducting Philippe Kocher
12:45-14:30	Odeon 0	Computing musical meter – an approach to an integrated formal description Bernd Härpfer
		Transient analysis for music and moving images: considerations for television advertising Andrew Rogers, Ian Gibson
		A system for audio-visual additive synthesis Lance Putnam
		Mobile phones as ubiquitous instruments: towards standardizing performance data on the network Nathan Bowen, David Reeder
		Ambisonics user defined opcodes for Csound Martin Neukom
		Exploring a visual/sonic representational continuum Lindsay Vickery
		Interval scale as group generators Tsubasa Tanaka, Kiyoshi Furukawa
		Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration Gerriet Sharma, Franz Zotter, Matthias Frank
		Connecting SUM with computer-assisted composition in PWGL: recreating the graphic scores of AnestisLogothetis Sara Adhitya, Mika Kuuskankare
		A recursive system mapping motion and sound in a robot between human interaction design Sinan Bokesoy
		Music systemisers and music empathisers – do they rate expressiveness of computer generated performances the same? Emery Schubert, Giovanni De Poli, Antonio Roda, Sergio Canazza
		On the playing of monodic pitch in digital music instrument Vincent Goudard, Hugues Genevois, Lionel Feugère
		Lose Control Gain Influence Alberto de Campo
		Automatic singer identification for improvisational styles based on vibrato timbre and statistical performance descriptors Nadine Kroher, Emilia Gómez
		Musical perspectives on composition sonification and music Amalia de Götzen, Nicola Bernardini, Alvise Vidolin
		The Future of Spatial Computer Music Eric Lyon
		DSR marimbA: low-cost, open source actuated acoustic marimba framework Shawn Trail, Leonardo Jenkins, Peter Driessen

Time	Room	Tuesday, 16 September 2014
14:30- 16:10	Odeon 2	OS9: Analysis / Synthesis-2 Chair: Tamara Smyth, University of California, San Diego, USA
		Some perspectives in the artistic rendering of music scores Gianpaolo Evangelista
		Timbre-invariant audio features for style analysis of classical music Christof Weiss, Matthias Mauch, Simon Dixon
		ΗarmonyMixer: mixing the character of chords among polyphonic audio Satoru Fukayama, Masataka Goto
		The use of rhythmograms in the analysis of electroacoustic music, with application to Normandeau’s onomatopoeias cycle David Hirst
		From automatic sound analysis of gameplay footage [Echos] to the understanding of player experience [Ethos]: an interdisciplinary approach Raphael Marczak, Pierre Hanna, Jean-Luc Rouas, Jasper van Vught, Gareth Schott

Time	Room	Tuesday, 16 September 2014
14:30- 16:10	Odeon 3	OS10: Analysis / Synthesis-3 Chair: Federico Avanzini, University of Padova, Italy
		Timbre features and music emotion in plucked string, mallet percussion, and keyboard tones Chuck-jee Chau, Bin Wu, Andrew Horner
		A framework for music analysis/resynthesis based on matrix factorization Juan Jose Burred
		Musical audio denoising assuming symmetric a-stable noise Nikoletta Bassiou, Constantine Kotropoulos
		A bowed string physical model including finite-width thermal friction and hair dynamics Esteban Maestre, Carlos Spa, Julius Smith
		Detection of random spectral alterations of sustained musical instrument tones in repeated note contexts Chung Lee, Andrew Horner

Time	Room	Tuesday, 16 September 2014
14:30- 16:10	Odeon 4	SS2: Special Session “Dematerializing - Rematerializing: Tangibility in Computer Music” Chair: Claude Cadoz, ACROE, France
		Tangibility, presence, materiality, reality in artistic creation with digital technology Claude Cadoz, Alexandros Kontogeorgakopoulos, Ioannis Zannos
		Digital musical instruments in the digital fabrication age Alexandros Kontogeorgakopoulos
		Corporeality, actions and perceptions in gestural performance of digital music Jan Schacher
		Immediacy - intimacy and manipulation – extension of the tangibility metaphor Ioannis Zannos
		Listening otherwise: playing with sound vibrations Pascale Criton

Time	Room	Wednesday, 17 September 2014
09:00- 10:40	Odeon 2	OS11: Human Computer Interaction and Music Chair: Giovanni De Poli, University of Padova, Italy
		Musical timbre and emotion: the identification of salient timbral features in sustained musical instrument tones equalized in attack time and spectral centroid Bin Wu, Andrew Horner, Chung Lee
		Design process for interactive sound installations: the designer, the interactor and the system Cecile Le Prado, Stephane Natkin
		“Topos” toolkit for pure data: exploring the spatial features of dance gestures for interactive musical applications Luiz Naveda, Ivani Santana
		AscoGraph: a user interface for sequencing and score following for interactive musical pieces Thomas Coffy, Arshia Cont, Jean-Louis Giavitto
		Citygram one: one year later Tae Hong Park, Michael Musick, John Turner, Charlie Mydlarz, Jun Hee Lee, Jaeseong You, Luke DuBois

Time	Room	Wednesday, 17 September 2014
09:00- 10:40	Odeon 3	OS12: Composition Systems / Techniques-1 Chair: Stefan Bilbao, University of Edinburgh, UK
		Easter eggs: hidden tracks and messages in musical mediums Jonathan Weinel, Darryl Griffiths, Stuart Cunningham
		Modular physical modeling synthesis environments on GPU Stefan Bilbao, Alberto Torin, Paul Graham, James Perry, Gordon Delap
		StiffNeck: the electroacoustic music performance venue in a box Gerhard Eckel, Martin Rumori
		Fine-tuned control of concatenative synthesis with CataRT using the Bach Library for Max Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz
		pOM: linking pen gestures to computer-aided composition processes Jérémie Garcia, Jean Bresson, Philippe Leroux

Time	Room	Wednesday, 17 September 2014
09:00- 10:40	Odeon 4	OS13: Computer environments for sound/music processing-1 Chair: Yann Orlarey, GRAME, France
		Audio rendering/processing and control ubiquity? a solution built using Faust dynamic compiler and JACK/NetJack Stephane Letz, Sarah Denoux, Yann Orlarey
		DIMI-6000: an early musical microcomputer by Erkki Kurenniemi Kai Lassfolk, Jari Suominen, Mikko Ojanen
		Model-view-controller separation in Max using Jamoma Trond Lossius, Theo de la Hogue, Pascal Baltazar, Tim Place, Nathan Wolek, Julien Rabin
		New tools for aspect-oriented programming in music and media programming environments John MacCallum, Adrian Freed, David Wessel
		Flocking: a framework for declarative music-making on the Web Colin Clark, Adam Tindale

Time	Room	Wednesday, 17 September 2014
11:10-12:10	Onasis 2	Keynote Speech 3 Chair: Georgios Kouroupetroglou, University of Athens, Greece
11:10-12:10	Onasis 2	Creative symbolic interaction Gérard Assayag, IRCAM, CNRS, UPMC, France

Time	Room	Wednesday, 17 September 2014
12:10-12:45	Odeon 1	PS3: Poster Session craze Chair: Stefania Serafin, Aalborg University, Denmark
12:45-14:30	Odeon 0	PS3: Poster Session Chair: Stefania Serafin, Aalborg University, Denmark
		MoveOSC - smart watches in mobile music performance Alex Migicovsky, Jonah Scheinerman, Georg Essl
		EmbodiComp: embodied interaction for mixing and composition Dalia El-Shimy, Steve Cowar, Jeremy Cooperstock
		Affective jukebox: a confirmatory study of EEG emotional correlates in response to musical stimuli Joel Eaton, Duncan Williams, Eduardo Miranda
		Beyond the beat: towards metre rhythm and melody modelling with hybrid oscillator networks Andrew Lambert, Tillman Weyde, Newton Armstrong
		Augmented exercise biking with virtual environments for elderly users: considerations on the use of auditory feedback Jon Ram Bruun-Pedersen, Stefania Serafin, Lise Busk Kofoed
		Contemporary practices in the performance and sustainability of computer music repertoire Jeremy Baguyos
		A study on cross-cultural and cross-dataset generalizability of music mood regression models Xiao Hu, Yi-Hsuan Yang
		The ghost in the MP3 Ryan Maguire
		NICO: an open-source interface bridging the gap between musician and tesla coil Blake Johnston, Josh Bailey, Dugal McKinnon
		Movable Party: a bicycle-powered system for interactive musical performance Steven Kemper, Wendy Hsu, Carey Sargent, Josef Taylor, Linda Wei
		Could the endless progressions in James Tenney’s music be viewed as sonic koans? François-Xavier Féron
		Study of the perceptual and semantic divergence of digital audio processed by restoration algorithms Sonia Cenceschi, Giorgio Klauer
		Computer game piece: exploring video games as means for controlled improvisation DariuszJackowski, Francho Melendez, Andrzej Bauer, PawelHendrich, CezaryDuchnowski
		Towards touch screen live instruments with less risk: a gestural approach Edward Jangwon Lee, WoonSeung Yeo
		An experimental classification of the programing patterns for scheduling in computer musicprogramming Hiroki Nishino
		The counterpoint game: rules constraints and computational spaces Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico
		Method to detect GTTM local grouping boundaries based on clustering and statistical learning KouheiKanamori, Masatoshi Hamanaka
		Examining the analysis of dynamical sonic ecosystems: in light of a criterion for evaluating theories Michael Musick
12:45-14:30	Odeon 0	Sound shapes and spatial texture: frequency-space morphology Stuart James
		The "Harmonic Walk": an interactive educational environment to discover musical chords Marcella Mandanici, Antonio Rodà, Sergio Canazza
		Test methods for interactive music systems Clément Poncelet Sanchez, Florent Jacquemard
		Zwischenräume - A case study towards an the evaluation of interactive sound installations Georgios Marentakis, David Pirrò, Raphael Kapeller
		Spatial utilization of sensory dissonance and the creation of sonic sculpture Brian Hansen
		Vocal detection in monaural mixtures Anders Elowsson, Ragnar Schön, Matts Höglund, Elias Zea, Anders Friberg
		Modality Marije Baalman, Till Bovermann, Alberto de Campo, Miguel Negrão
		HMM-based automatic arrangement for guitars with transposition and its implementation Gen Hori, Shigeki Sagayama
		Turnector: tangible control widgets for capacitive touchscreen devices Edward Kingsley Rutter, Tom Mitchell, Chris Nash
		Degrees of interpretation in computer aided algorithmic composition Jessica Aslan
		Sonification of controlled quantum dynamics Alexandros Kontogeorgakopoulos, Daniel Burgarth
		Musical audio synthesis using autoencoding neural nets Andy Sarroff, Michael Casey
		Tactile Composition: configurations and communications for a haptic chair Joanne Armitage, Kia Ng
		Digitally extending the optical soundtrack Alexander Dupuis, Carlos Dominguez

Time	Room	Wednesday, 17 September 2014
14:30- 16:30	Odeon 2	OS14: Automatic music generation/accompaniment systems Chair: Moreno Andreatta, IRCAM, Paris, France
		Kuatro: a motion-based framework for interactive music installations David Johnson, Yiorgos Vassilandonakis, Seth Stoudenmier, Bill Manaris
		Modes of sonic interaction in circus: three proofs of concept Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin
		Laminae: a stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics Kenta Okumura, Shinji Sako, Tadashi Kitamura
		Machine improvisation with formal specifications Alexandre Donze, Rafael Valle, Sophie Libkind, Ilge Akkaya, Sanjit Seshia, David Wessel
		Modulus p rhythmic tiling canons and some implementations in OpenMusic visual programming language Hélianthe Caure, Carlos Agon, Moreno Andreatta
		Planning human-computer improvisation Jérôme Nika, José Echeveste, Marc Chemillier, Jean-Louis Giavitto

Time	Room	Wednesday, 17 September 2014
14:30- 16:30	Odeon 3	OS15: Algorithmic Composition-2 Chair: Emilia Gomez, Universitat Pompeu Fabra, Spain
		Gene expression synthesis Alo Allik
		AutoChorus Creator: four-part chorus generator with musical feature control, using search spaces constructed from rules of music theory Benjamin Evans, Satoru Fukayama, MasatakaGoto, NagisaMunekata, Tetsuo Ono
		Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition Gilberto Bernardes, Matthew Davies, Carlos Guedes, Bruce Pennycook
		AutoRhythmGuitar: computer-aided composition for rhythm guitar in the tab space Matt McVicar, Satoru Fukayama, MasatakaGoto
		Takt: a read-eval-play-loop interpreter for a structural/procedural score language Satoshi Nishimura
		Query-by-multiple-examples: content-based search in computer-assisted sound-based musical composition Tiago Fernandes Tavares, Jônatas Manzolli

Time	Room	Wednesday, 17 September 2014
14:30- 16:10	Odeon 4	SS3: Special Session “Tangibility in Computer Music” Chair: Claude Cadoz, ACROE, France
		Being there & being with: the philosophical and cognitive notions of presence and embodiment in virtual instruments Annie Luciani
		Sound mosaic in geveryday objects Diemo Schwarz
		Spacialsound and tangibility Ludger Brummer
		sculpTon: a malleable tangible interface for sound sculpting Alberto Boem

Time	Room	Thursday 18, September 2014
09:00- 10:40	Odeon 2	OS16: Spatial Sound & Spatialization Techniques Chair: Martin Supper, Berlin University of Arts, Germany
		ImmLib - A new library for immersive spatial composition Miguel Negrão
		The HOA library, review and prospects Anne Sèdes, Pierre Guillot, Elliot Paris
		Introducing the zirkonium MK2 system for spatial composition David Wagner, Ludger Brümmer, Götz Dipper, Jochen Arne Otto
		An agent based approach to interaction and composition Stephen Pearse, David Moore

Time	Room	Thursday 18, September 2014
09:00- 10:40	Odeon 3	OS17: Gestures, motion and music Chair: Alexandros Kontogeorgakopoulos, Cardiff Metropolitan University, UK
		ArmKeyBoard: a mobile keyboard instrument based on chord-scale system and tonal hierarchy Jun-qi Deng, Francis Chi Moon Lau, Yu-kwong Kwok
		Leap motion as expressive gestural interface Martin Ritter, Alyssa Aska
		The procedural sound and music of ECHO::Canyon Rob Hamilton, Chris Platz
		Mapping motion to timbre: orientation, FM synthesis and spectral filtering Israel Neuman, Charles Okpala, Cesar Bonezzi
		Effects of different bow stroke styles on body movements of a viola player: an exploratory study Federico Visi, Esther Coorevits, Eduardo Miranda, Marc Leman

Time	Room	Thursday 18, September 2014
09:00- 10:40	Odeon 4	OS18: Interfaces for sound and music Chair: Rafael Ramirez, PompeuFabra University, Spain
		miniAudicle for iPad: touchscreen-based music software programming Spencer Salazar, Ge Wang
		Scaling up live internet performance with the global net orchestra Roger Dannenberg, Tom Neuendorffer
		P300 harmonies: a brain-computer musical interface Zacharias Vamvakousis, Rafael Ramirez
		Mutor: drone chorus of metrically muted motors Mo Zareei, Dale Carnegie, Ajay Kapur
		Bassline pitch prediction for real-time performance systems Andrew Robertson

Time	Room	Thursday 18, September 2014
11:10-12:10	Onasis 2	Keynote Speech 4 Chair: Ioannis Zannos, Ionian University, Greece
11:10-12:10	Onasis 2	Rhythmic processes in electronic music Curtis Roads, University of California, Santa Barbara, USA

Time	Room	Thursday 18, September 2014
12:10-12:45	Odeon 1	PS4: Poster Session craze Chair: Richard Dudas, Hanyang University, Korea
12:45-14:30	Odeon 0	PS4: Poster Session Chair: Richard Dudas, Hanyang University, Korea
		The Black Swan: probable and improbable communication over local and geographically displaced net-worked connections as a musical performance system Alyssa Aska
		Perception of interactive vibrotactilecues on the acoustic grand and upright piano Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini
		Transcription adaptation and maintenance in live electronic performance with acoustic instruments Richard Dudas, Pete Furniss
		Resolving octave ambiguities: a cross-dataset investigation Li Su, Hsin-Yu Lai, Li-Fan Yu, Yi-Hsuan Yang
		Towards a dynamic model of the palm mute guitar technique based on capturing pressure profiles between the guitar strings Julien Biral, Nicolas D'Alessandro, Adrian Freed
		Influence of expressive coupling in ensemble performance on musicians’ body movement Davi Mota, Mauricio Loureiro, Rafael Laboissière
		ATK reaper: ambisonic toolkit as JSFX plugins Trond Lossius, Joseph Anderson
		Vuza: a functional language for creative applications Carmine-EmanueleCella
		Using natural language to specify sound parameters Jan-Torsten Milde
		Sensors2PD: mobile sensors and WiFi information as input for pure data Antonio de Carvalho Junior
		Comparing models of symbolic music using probabilistic grammars and probabilistic programming Samer Abdallah, Nicolas Gold
		Sense: an electroacoustic composition for surround sound and tactile transducers Panayiotis Kokoras
		Recommending music to groups in fitness classes Berardina De Carolis, Stefano Ferilli, Nicola Orio
		Organic oscillator: experiments using natural oscillation sources from audiences Yuan-Yi Fan
		SkipStep: a multi-paradigm touch-screen instrument Avneesh Sarwate, Jeff Snyder
		A research of automatic composition and singing voice synthesis system for Taiwanese popular songs Chih-Fang Huang, Wei-Gang Hong, Min-Hsuan Li, Wei-Po Nien
		Toward real-time estimation of tonehole configuration Tamara Smyth, Cheng-i Wang
		Audio-rate modulation of physical model parameters Edgar Berdahl
		Conceptual interacting strategies in forming electroacoustic sound identities Georgia Kalodiki
12:45-14:30	Odeon 0	Towards open 3D sound diffusion systems Fernando Lopez-Lezcano
		Teaching robots to conduct: automatic extraction of conducting information from sheet music Andrea Salgian, Laurence Agina, Teresa Nakra
		Color and emotion caused by auditory stimuli Elena Partesotti, Tiago Fernandes Tavares
		A genetic algorithm approach to collaborative music creation on a multi-touch table Niklas Klügel, Andreas Lindström, Georg Groh
		3DMIN – Challenges and interventions in design development and dissemination of new musical instruments Till Bovermann, HaukeEgermann, Alexander Foerstel, Sarah-Indriyati Hardjowirogo, Amelie Hinrichsen, Dominik Hildebrand Marques Lopes, Andreas Pysiewicz, Stefan Weinzierl, Alberto de Campo
		Parameter estimation of virtual musical instrument synthesizers Katsutoshi Itoyama, Hiroshi Okuno
		Experimence: considerations for composing a rock song for interactive audience participation Oliver Hödl, Geraldine Fitzpatrick, Simon Holland
		A computer-mediated interface for jazz piano comping Rui Dias, Carlos Guedes, Telmo Marques
		The Effectiveness of visual feedback singing vocal technology in Greek elementary school Sofia Stavropoulou, Anastasia Georgaki, Fotis Moschos
		Tangibility and low-level live coding Yorgos Diapoulis, Ioannis Zannos
		The creation and projection of space-source in electroacoustic music Theodoros Lotis
		Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorythms Sergio Giraldo, Rafael Ramirez

Time	Room	Thursday 18, September 2014
14:30- 16:10	Odeon 2	OS19: Perception and cognition of sound and music Chair: Stefania Serafin, Aalborg University, Denmark
		*ML. machine learning library as a musical partner in the computer-acoustic composition flight** Benjamin Smith, Scott Deal
		Merged-output hidden Markov model for score following of MIDI performance with ornaments desynchronized voices, repeats and skips Eita Nakamura, Yasuyuki Saito, Nobutaka Ono, Shigeki Sagayama
		muTunes: a study of musicality perception in an evolutionary context Kirill Sidorov, Robin Hawkins, Andrew Jones, David Marshall
		A Protocol for creating multiagent systems in ensemble with pure data Pedro Bruel, Marcelo Queiroz

Time	Room	Thursday 18, September 2014
14:30- 16:30	Odeon 3	OS20: Algorithmic Composition-3 Chair: Dominique Fober, GRAME, France
		Musings on the status of electronic music today, Invited Speech CortLippe, University of Buffalo, USA
		December variations (on a theme by Earle Brown) Richard Hoadley
		Symmetrical and geometrical cycles in twelve-tone composition: developments toward a new model Telmo Marques, Paulo Ferreira-Lopes
		Cage: a high-level library for real-time computer-aided composition Andrea Agostini, ÉricDaubresse, Daniele Ghisi
		Musical processes representation Dominique Fober, Yann Orlarey, Stéphane Letz
		Spatial transformations in simplicial chord spaces Luis Bigo, Daniele Ghisi, Antoine Spicher, Moreno Andreatta

Time	Room	Thursday 18, September 2014
14:30- 16:10	Odeon 4	SS4: Special Session “Iannis Xenakis: Technology and Philosophy-1” Chair: Makis Solomos, Universite Paris VIII, France
		Xenakis’s Philosophy of Technology Through Some Interviews, Invited Speech Makis Solomos, University Paris 8, France
		Computer, formalisms, intuition and metaphors Α.Xenakian and post-Xenakian approach Jose Luis Besada
		Creativity through technology and science in Xenakis Kostas Paparrigopoulos
		What does create using technology mean? The paradigm of Xenakis Elsa Kiourtsoglou

Time	Room	Friday 19, September 2014
09:00- 10:40	Odeon 2	OS21: New Interfaces for Musical Expression-2 Chair: Rafael Ramirez, PompeuFabra University, Spain
		Implementation and evaluation of real-time interactive user interface design in self-learning singing pitch training apps Kin Wah Edward Lin, Hans Anderson, Hamzeen Hameem, Simon Lui
		Little Drummer Bot: building, testing, and interfacing with a new expressive mechatronic drum system Jim Murphy, Dale Carnegie, Ajay Kapur
		Mechatronic Keyboard Music: design, evaluation, and use of a new mechatronic harmonium Jim Murphy, Ajay Kapur, Dale Carnegie
		Implementations of the leap motion device in sound synthesis and live performance Lamtharn Hantrakul
		OPERAcraft: blurring the lines between real and virtual Ivica Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger

Time	Room	Friday 19, September 2014
09:00- 10:40	Odeon 3	OS22: Aesthetics of Computer and Interactive Music-2 Chair: John Mourjopoulos, University of Patras, Greece
		Timbral haunting: an interactive system re-interpreting the present in echoes of the past Michael Musick, Tae Hong Park
		Translation as technique: collaboratively creating an electro-acoustic composition for saxophone and live video projection Christopher Jette, Kelland Thomas, Javier Villegas, Angus Forbes
		Principles of visual design for computer music Ge Wang
		Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches John Mourjopoulos, Charalambos Papadakos, Gavriil Kamaris, Georgios Chryssochoidis, Georgios Kouroupetoglou
		Towards an aesthetic of electronic-music performance practice Marko Ciciliani

Time	Room	Friday 19, September 2014
09:00-10:40	Odeon 4	OS23: Computer environments for sound/music processing-2 Chair: Roger Dannenberg, Carnegie Mellon University, USA
		Gamma: a C++ sound synthesis library further abstracting the unit generator Lance Putnam
		Extending Aura with Csound opcodes Steven Yi, Roger Dannenberg, Victor Lazzarini, John Fitch
		SoDA: A sound design accelerator for the automatic generation of soundscapes from an ontologically annotated sound library Andrea Valle, Paolo Armao, Matteo Casu, Marinos Koutsomichalis
		Violin fingering estimation according to skill level based on hidden Markov model Wakana Nagata, Shinji Sako, Tadashi Kitamura
		Alarm/will/sound: perception, characterization, acoustic modeling, and design of modified car alarms Alexander Sigman, Nicolas Misdariis

Time	Room	Friday 19, September 2014
11:10-12:10	Onasis 2	Keynote Speech 5 Chair: Christos Carras, Onassis Cultural Center, Greece
11:10-12:10	Onasis 2	What is sound? Peter Nelson, University of Edinburgh, United Kingdom

Time	Room	Friday 19, September 2014
14:30- 16:10	Odeon 2	OS24: Digital Audio Effects and Physical Modeling Chair: Alexandros Kontogeorgakopoulos, Cardiff Metropolitan University, UK
		Chorale synthesis by the multidimensional scaling of pitches, Invited Speech Clarence Barlow, University of California Santa Barbara, USA
		The TR-808 cymbal: a physically-informed, circuit-bendable, digital model Kurt James Werner, Jonathan S. Abel, Julius O. Smith
		Spatial and kinematic models for procedural audio in 3D virtual environments Jose Ignacio Pecino Rodriguez
		Programmation and control of Faust sound processing in OpenMusic Dimitri Bouche, Jean Bresson, Stéphane Letz
		Human perception of the soundscape in a metropolis through the phenomenology of neural networks Enrica Santucci, Luca Andrea Ludovico

Time	Room	Friday 19, September 2014
14:30- 16:10	Odeon 3	OS25: Composition Systems / Techniques-2 Chair: Gerhard Eckel, University of Music and Performing Arts Graz, Austria
		Realism, art, technology and audiovisual immersion into the environment of the Ionian islands George Heliades, Apostolos Loufopoulos, Minas Emmanouil, Theofanis Maragkos
		Real-time music composition through P-timed Petri Nets Adriano Barate, Goffredo Haus, Luca Ludovico
		Chronotope Ivan Zavada
		Physical and perceptual characterization of a tactile display for a live-electronics notification system Emma Frid, Marcello Giordano, Marlon Schumache, Marcelo Wanderley
		Sonic scenography - equalized structure-borne sound for aurally active set design Otso Lähdeoja, Aki Haapaniemi, Vesa Välimäki

Time	Room	Friday 19, September 2014
14:30- 16:10	Odeon 4	SS5: Special Session “Iannis Xenakis: Technology and Philosophy-2” Chair: Makis Solomos, Universite Paris VIII, France
		Technology and philosophical ideas in the instrumental music of Iannis Xenakis Benoît Gibson
		Auditory fusion and holophonic musical texture in Xenakis’ spithoprakta Panayotis Kokoras
		Round table Agostino Di Scipio, Jean-Claude Risset, Curtis Roads, Benoît Gibson, Panayotis Kokoras

Chair: Georgios Kouroupetroglou, Department of Informatics and Elecommunications, University of Athens, Scientific Program Chair